cradleyard BLOGS
Sunday, April 16, 2006
 

www.cradleyard.com Posted by Picasa
 
Friday, April 14, 2006
  Website
Our Website is acoming!

Cradleyard, Cradleyard Music, Sheffield Band, Project Alkaline, Rehumanise, Byzantime
 
Thursday, April 13, 2006
  The Backstory
Message from Steve...


First: about Gerald Noble who died and was not found for 5 months. under title of It 'Should have been better' - cradleyard, untroddenways album, purple 2001

Second: about children not having a childhood these days. under title of It 'Remember to never let your childhood die' - cradleyard, untroddenways album, purple 2001

Third: is about Mousehole forge - under 'The world famous Mousehold Forge, childhood playground for cradleyard in Rivelin Valley, and featured in new song "Before roundabouts".
 
  Don't let your childhood die!

childhood- larger Posted by Picasa
 
  Gerald Noble
Posted by Picasa
 
 

noble1 Posted by Picasa
 
 

noble 2 Posted by Picasa
 
 

noble3 Posted by Picasa
 
 

Noble with team in 60's Posted by Picasa
 
  Mousehole Forge

Mousehole ad Posted by Picasa
 
 

Mousehole forge description Posted by Picasa
 
  A Mousehole Forging Hammer

A mousehole hammer Posted by Picasa
 
 

Mousehole in Gretna Posted by Picasa
 
  el morro - Poor people aren't allowed a slice of heaven - Kicked out of their home to make way for Big Business Shock horror
Seaside Trailer Park Residents End Long Dispute
The O.C. mobile home owners, who had fought the state for 25 years, agree to leave by March.
[Article from the Los Angeles Times 11-5-2005]
By Sara Lin TIMES STAFF WRITER

Residents of a beachfront mobile home park north of Laguna Beach have ended their 25-year dispute with the state and agreed to leave by March 1, according to a settlement announced Friday.
This ends one of Southern California's longest battles over public beaches. It pitted the state, which has long planned to turn the public land into a campground and RV park, against residents of El Morro Village, a quaint enclave in Crystal Cove State Park.
The residents also have agreed to pay the state $650,000 in legal fees and rent.
Tenants rented their sites on a month-to-month basis from the Irvine Co. until the state bought the land for $32.5 million in 1979 and turned it into a park. The state offered residents 20-year leases that were extended for five years in 1999.
Residents of the nearly 300 mobile homes, which sit on both sides of Coast Highway, were supposed to move by Jan. 1, 2005, and take their homes with them. After residents protested, about 10% of them signed an agreement with the state to stay until last April 1 in exchange for paying $3,000 to cover the costs of removing their homes. The others stayed and fought their eviction in court before losing.
"We're delighted to finally have a resolution to this and start giving a lot of people what they want ‹ a new campground in this part of California," said Roy Stearns, spokesman for California State Parks. He said there are few undeveloped places left along the coast for building campgrounds.
The outcome disappointed mobile home park residents.
"I'm still kind of in shock over the whole thing," said Gabriel Heflin, 27, whose family has lived at El Morro for generations. "I know it's state property, but I've been here since I was a little kidŠ. So you feel like your home's being taking away from you. It's a pretty brutal feeling."
Residents have tried their utmost to hang onto their homes.
They waged ad campaigns and sued the state in 2002, challenging a state environmental review. They floated proposals to add 50 affordable housing units in exchange for being allowed to stay.
In February, Assemblyman Chuck DeVore (R-Irvine) introduced two bills to extend tenant leases for 30 years in exchange for paying the state $50 million and agreeing to rent increases at market rates.
But DeVore was criticized for accepting $66,000 in campaign donations and loans from mobile home park residents, and a businessman who held the trailer park lease. He withdrew the bills in April after it became clear they didn't have enough votes to guarantee passage.
California State Parks plans to demolish the mobile home park and convert the site into a day-use and overnight campground.
The state budget includes $10.4 million for the project, but Stearns said it probably will cost more and include a small amphitheater, public restrooms, picnic areas and restoration of El Moro Creek.
The park includes 46 cottages built in the 1920s at Crystal Cove, which are being renovated for overnight stays.
El Morro residents lamented the community being broken apart. They would hold chili cook-offs in the summer and more than 300 residents would attend potluck dinners. One longtime resident, Raymond Acosta, would offer neighbors and teenagers jobs in his construction business.
"You have people here who are wealthy, people on Social Security, and everyone comes together, and you never know the difference between one or the other," said Helfin. "It's a real shame to think that it's not going to be here."
.


elmorro
 
Sunday, April 09, 2006
  Home & Away

how about this picture for nervous energy, it kicks, it screams it pushes me around, there's nowhere left to go but down...... us wednesday fans can always sing the blues home and and away, if only there was nowhere left to go but down for wednesday, we would be at the top of the premiership. maybe one day soon eh ????? cheers jon
Posted by Picasa
 
Monday, April 03, 2006
  KEEPING IT REAL ALE........



















CARLSBERG DON'T DO SONGS BUT IF THEY DID THEY WOULD BE CRADLEYARD SONGS........ WITH THE LINE...

"THEY GLOBALISED MY BRAND, SO IT'S TIME TO RE-FORM THE BAND"

ACTUALLY I RECORDED NERVOUS ENERGY IN JONNY'S ATTIC AFTER A COUPLE OF CANS OF CARLSBERG SPECIAL BREW.... BUT I PREFER REAL ALES........ WENTWORTH PALE ALE..IS ONE OF MY FAVORITES.......LOTS OF CHEERS JON Posted by Picasa
 
  LETS GO AND SEE WHERE THE PRETTY FLOWERS GROW...........
 Posted by Picasa
 
  I DON'T WANT TO BE A PETROL JUNKIE











Artwork by Banksy Posted by Picasa
 
  Cradleyard- Rehumanise
Posted by Picasa
 
  This Charming Manpreet!












Look who I found online!Posted by Picasa
 
Sunday, April 02, 2006
  ARM THE PIT - An Interview with Cradleyard
Reprinted from ARM The Pit -- http://www.armthepit.com/Band%20Pages/Interviews/Band331.html


cradleyard is one of those bands from across the pond who discovered armthepit and was eager to share a bit of themselves and their music to us. As a trio, Steve appointed himself the spokesperson.

Arm The Pit: For the record, what is your band's name? How did you come up with that name?

Steve: Its opposite of grave yard - hope inspires a sense of creativity.


ATP: So who's in the band and what's everyone's life story in 50 words or less?

Steve: I'm also in England band (a famous footie band), teacher, jon - nurse, jonny - repairs furniture


ATP: In a nutshell, please describe your sound.

Steve: Indie, each song very different to the last, folk, progressive, heavy, soft, thought provoking who knows??


ATP: Why did you each of you start playing music and was there a turning point from becoming the dream child that every mother and father hopes their child will become before discovering music? Why did music become a career choice for you?

Steve: I learnt to play euphonium in Africa as a young lad and have enjoyed singing as a form of expression and for fun since I first heard sound of music. jon & jonny played guitars from mid teens since not much else to do in a town with a crap football team and no jobs due to Thatcher.


ATP: What bands have influenced each of you?

Steve: tim buckley, smiths, dino jr, arctic monkeys, richard ashcroft, any good brass band.


ATP: What makes your band unique?

Steve: We sing about life before roundabouts, ebay & aspartame. also - not for us to say really.


ATP: If you could hang with anyone, who would it be?

Steve: My kids.


ATP: What instruments do you each play? How did you learn to play, self or school?

Steve: All self taught.


ATP: Do you write your own music? Who writes the music?

Steve: Jon and I write 90% of all lyrics and music. We take turns to sing.


ATP: What inspires the songs you write?

Steve: too many cars, boring tv, too many crap bands playing crap music dictated by a generally crap music business, American empire building, bad city planning, a lack a decent public transport, bullying, ill informed news readers, I could go on.


ATP: How long does it take you to write a song that’s ready to record?

Steve: The songs could take a couple of hours but to get all involved - drums etc to learn it for recording standard, I would say about another couple of weeks.


ATP: Do you do any recording on your own?

Steve: Yes, Jonny has a self made studio in his attic.


ATP: How would you describe your local music scene? Likes, Dislikes.

Steve: At the moment it seems to be changing the world (execpt USA - which is also a bit late)


ATP: What would you like to change about your local music scene?

Steve: Less 'if you're in the in crowd' you'll get a gig, get a review etc.


ATP: What is your favorite local venue?

Steve: Leadmill


ATP: What's the biggest problem you find when working with other bands, booking agents, promoters and venues when setting up a show or a tour?

Steve: Never really had too many problems - just getting stuff around I guess.


ATP: How experienced are you on the stage? A virgin or whore.

Steve: Very experienced, also I regularly play live on tv and live in front of millions.


ATP: How do you transport your equipment to the gig? Mom's car or a battle weary van. Do you have name for it?

Steve: Own cars, sometimes a hire van.


ATP: Most people will never know what it feels like to be on stage in front of a crowd, explain that feeling:

Steve: I think we just try to really enjoy it and try to imagine if we were in the audience what would make the performance interesting, entertaining and mean something.


ATP: Tell us about your most memorable gig and why it was so great.

Steve: Paris La locomotive because we didn't realize how 'big' we were in France and the French music fans at the time were very open to different, non acid house type music - not the case in UK then.


ATP: Tell us about your worst gig and why it was so bad.

Steve: Leadmill in Sheffield because we worked there at the time and it was a bit like play to your work mates. As a result we were reserved and the gig was a bit flat.


ATP: Do you believe commercial/mainstream music has had a negative effect on new music? Why or Why Not.

Steve: Yes, of course is has. I'm not against people trying to make a living but the music business has traditionally assumed it can 'dictate' the next thing'. As a result a lot of really good music gets ignored and left behind, not in a position to influence and move us all forwards. I still think most
people are now so brain washed that they'll refuse to say if they like a band before they seen a photo of them, seen the video, heard a mate say they OK etc....



ATP: How do we take back music from the suits?

Steve: Look at what the arctic monkeys have done in UK. Not a penny of promotion and they are the biggest thing ever. Word of mouth, the internet, playing live... non suit type things. Tell them NO if its wrong for the bands development in music terms.


ATP: How big of an impact do you think the underground, indie scene has on the current pop culture?

Steve: Massive, much more than the suits realize I'm sure.


ATP: Do you feel that "underground" is just a marketing term like anything else?

Steve: No because a large section of it is in the control of individuals who don't own the music industry anything and are in a position to have some freedom to make decisions away from the buss'.


ATP: Has the internet really been helpful to your promotion? Why or Why Not.

Steve: To a certain extent yes. Before myspace fewer people would have heard our music and email is a much quicker way to make contact.


ATP: Can you name a few of you favorite places on the web for band promotions?

Steve: myspace, soundaloud (in sheffield)


ATP: Do you have a website? What's the address?

Steve: cradleyard.blogspot.com myspace.com/cradleyardmusic


ATP: Tell us about your website:

Steve: You can find our music there and a few other things about the band but the music's the main one.


ATP: Do you have a street team? How do you join your street team?

Steve: Don't know what one is??


ATP: Would you open for a headlining act? Who would it be and why?

Steve: Yes, arctic monkeys because they are from the same town and are brill


ATP: Where's your dream gig?

Steve: Apart from the world cup final later this year I would have to say Razz Club Barcelona.


ATP: Are you looking to get a record deal? Why or Why Not?

Steve: Yes if it helps us to get our music to more people. No if it turns the band into something we are not.


ATP: Let us say that you have been just signed by a major label and they say time to move 2500 miles. Now what, would you be able to move?

Steve: Depends where I'm moving to?


ATP: What are your plans for the future? In a year, 5 years.

Steve: Having won the world cup to still enjoy writing and playing music as well as watching others do the same. If I haven't had at least one more EP / single released before then I will be disapointed.


ATP: Finally, do have any words on what Arm The Pit means to you?

Steve: Not really had much time to see the site in depth but I really like what you are trying to do in terms of helping bands reach out to more people so
thanks!!


ATP: Thanks Steve for introducing us to you guys and your music. Just goes to show the internet is the next great melting pot.

www.armthepit.com
 
a band of the 90's (and revived for the 'Naughties'...oo er!). cradleyard is a hotbed of creativity for the various members, a source of myriad joys for the people who love them and a living, morphing, shrine for the many people who continue to enjoy the music and have been to see cradleyard live. Welcome to the music, the mayhem and the 'organic' stylings of cradleyard.....

My Photo
Name:
Location: Irvine, California, United States

Many small insignificant items create a significant synergistic whole. However, though they remain insignificant items, each and every small part must be respected at all times. If not, The significant whole will dwindle and quickly perish

ARCHIVES
November 2005 / December 2005 / January 2006 / February 2006 / March 2006 / April 2006 / May 2006 / June 2006 / July 2006 / September 2006 / October 2006 / May 2007 / January 2008 /


Powered by Blogger